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Mike and Jack Hardy forever linked. Their demise was on the same date, the 11th of March
Mike and Jack Hardy forever linked. Their demise was on the same date, the 11th of March.
Gone this day, March 11
Mike Porco 1992
Jack Hardy 2011
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I wrote this blog post
https://folkcityatfifty.blogspot.com/search?q=jack+hardy
On 1.27.10, I interviewed Richie Havens and Carolyn Hester over the phone. (still shocking to me!)
The next day, I met another Mr. H and it was my first sit down interview.
MOST SURPRISING MOMENT: At the end when I was about to hit the street and race for a train, he said- email everything you have concerning Bush and 9/11. Conspiracy, fire men speaking out, everything. I was ankle deep looking for my brother Jeff.
FROM BLOG POST: Jack is a warm guy living in a drafty apartment. Holding steadfast to the artist's lifestyle, he remains in the rent controlled walk up he first leased in 1975 for $125/ month. His rent has changed but the amenities have not. In it, he carries on a Monday nite tradition seemingly in his blood; the singer/songwriter get together. A rotating cast of characters swing through the open house every Monday evening prepared to share new material status post a mandatory gorging of pasta and wine.
Only new material is allowed. Any songs over a week old is considered stale and unwelcome.
It's the musical communal spirit that resides in Jack and is alive and well .....
....the spirit of free and open musical expression survives in the village, if only for one nite a week.
Lessons learned at Jack Hardy's were not bestowed solely upon fortunate locals seeking peers' advice on how to become better songwriters. The apartment on Houston and Bedford and 6th was the playhouse for the likes of Vega, Lovett and Colvin.....
"The opportunity to play the open mic at Gerdes on a Hoot night had a huge effect on me" Jack recalls. "it gave us all a great sense of community knowing that all of us had a place to go to not only hear other performers play new material but mainly for us to go and play our own new stuff. "
It was that level of comfort that the players took to the stage with them knowing that if it didn't come out just right there was support and encouragement from everyone else who was preparing to expose new material of their own.
Jack first came to New York and slept on the Roche sisters’ floor. He traveled around and didn't pay rent for a couple of years moving on gig to gig from Chicago to NY and points between. Eventually it was the draw of the Village with its many potential job opportunities that convinced Hardy to hang his hat at a place of his own. He hasn't left.
Mike was one of my favorite people, he bellows!
I met Jack Hardy a couple of days before his 35th anniversary of moving in. He fixed a pot of coffee without hardly looking as if the....like his arms were doing the work on their own.
He still has the oak-topped dining table built by him and Mike from scrap wood scrounged from the neighborhood (Minetta Lane) well over 30 years ago. Looking underneath at the craftsmanship, one could tell it was built to last.
A lime green vinyl chair from the 130 W3rd Gerde’s Folk City’s last location remains as Jacks desk seat where he surfs the Internet.
He had modernized to the times somewhat. He keeps his cell phone on and close by. His Apple computer is logged on. And he uses his own web page to sell his own CDs.
But he still functions very much the way he has side he's moved to New York. The noted exception is the distance he must travel to earn his living. "I used to be able to earn a living within 4 blocks of this place. Now I'm going into remote outposts playing to 100 people total after 6 other sets. " he says with a laugh. "I'm thinking sometimes 'why am I doing this again?' flying to Minnesota in the winter; driving endless miles....
Jack is not only a throwback but a true rarity in the music business. Even more so considering he's been an established artist for over three decades. He has never had a manager or a record producer. He owns all the rights to his published work and owns all his master recordings. He truly is a one man show.
And, whether because of this soloist mentality or in spite of it, his music maintains its timeless quality unfettered by the (commercial) themes encouraged in the corporate world of pop music today.
Still fresh. Still politically charged. Poetic and thought provoking.
The Folk music (revival) ...The folk music from the 1960s was virtually by definition politically charged with artists having carte blanche to say and do what was on their mind. It would be impossible for the songs built in the 60s to not become the expressive tool and the common thread that would come to bind the messengers with the masses.
More....
Jack: I don't think the powers that be in the music industry want something like that to ever happen again. The music that was coming out from EVERYBODY was so very anti-establishment. And the ones who made it big became spokespeople for a movement that defined the 60s.
He jokes that he has recorded 16 albums yet remains virtually unknown. "16 albums no ones ever heard of."
"Mike always looked out for the people behind the music. He used to say that all that fame and fortune wasn't as important as your health and the people in your life. That always stuck with me and made an impression on me. I've tried to write that philosophy into different songs over the years."
"Mike would mostly be sitting at the bar holding court overseeing the crowd and goings on of the place. You might think that he wasn't listening at all to the music but them he'd surprise you and ask a question about a song someone played or a lyric he heard. He was very conscious of what was going on."
"He worked that bar from open to close and tried to squeeze every penny out of that place. Most nights he wouldn't walk out until 4 in the morning, unless of course it was the daylight savings time which would make it 5am."
On Hoot nights, there would sometimes be such a large line of players waiting their turn to play that the closing acts wouldn't step foot on stage until 2 or 3 in the morning. The crowd at that point was more than subdued enough to let the artists weave their spell any way they saw fit. “The graveyard shift” as Jack called it.
Mike would keep that place open until the last patron had seen or drank enough whichever came first.
But he was generous to the employees who worked til the last drop offering on countless occasions to drive over to Chinatown where he would pick up the tab for a sit down feast only a Chinese restaurant could serve up.
